Publications

Frank Möller and Rasmus Bellmer, “Peace Videography: Visual Tools for Mediation and Peace-building,” Center for Freedom of the Media, University of Sheffield, HCPB News, 12 October 2020, at http://www.cfom.org.uk/2020/ 10/12/peace-videography-visual-tools-for-mediation-and-peace-building

Rune Saugmann, Frank Möller and Rasmus Bellmer, “Seeing like a Surveillance Agency? Sensor Realism as Aesthetic Critique of Visual Data Governance,” Information, Communication & Society, published online 18 June 2020, https://doi.org/10.1080/1369118X.2020.1770315

Frank Möller, “Music and the Aesthetics of Resistance,” in Music and Peacebuilding: African and Latin American Experiences, edited by Rafiki Ubaldo and Helen Hintjens (Lanham, MD: Lexington Books, 2020), pp. 181–195, https://rowman.com/ISBN/9781498567480/Music-and-Peacebuilding-African-and-Latin-American-Experiences

Frank Möller, “Peace Aesthetics: a Patchwork,” Peace & Change: A Journal of Peace Research (Vol. 45, No. 1, January 2020, pp. 28–54), published online 12 December 2019, https://doi.org/10.1111/pech.12385

Frank Möller, “Photography and Peace,” in The Palgrave Encyclopedia of Peace and Conflict Studies, edited by Oliver Richmond and Gëzim Visoka (Houndmills: Palgrave Macmillan), published online 8 November 2019, https://doi.org/10.1007/978-3-030-11795-5

Rasmus Bellmer, “Literature as a Tool for Reconciliation? A Social-Psychological Approach in Peace Research”, Master’s thesis, published online November 2019, available at https://trepo.tuni.fi/bitstream/handle/10024/118159/BellmerRasmus.pdf?sequence=2

Frank Möller, “Mehr Sichtbarkeit für den Frieden,” FreeLens: Kriegs-, Krisen- und Konfliktfotografie, published online 4 September 2019, https://freelens.com/fotografie-und-krieg/mehr-sichtbarkeit-fuer-den-frieden/

Frank Möller, “For Rafiki – Introduction to Rwanda ‘94: Beyond Time and Space by Rafiki Ubaldo,” published online April 2019, https://templesofmemory.org

Prince Agyei and Frank Möller, “Everyday Insecurity and Its Visualization,” Critical Studies on Security (Vol. 7, No. 2, 2019, pp. 152–155), published online 22 September 2019, https://doi.org/10.1080/21624887.2019.1667679

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Frank Möller, Peace Photography (Houndmills: Palgrave Macmillan, 2019), Rethinking Peace and Conflict Studies series, https://www.palgrave.com/gp/book/9783030032210

Frank Möller and David Shim, “Visions of Peace in International Relations,” International Studies Perspectives (Vol. 20, No. 3, August 2019, pp. 246–264), published online 14 January 2019, https://doi.org/10.1093/isp/eky014

Frank Möller, “Peace,” in Visual Global Politics, edited by Roland Bleiker (London and New York: Routledge, 2018), pp. 220–223

Frank Möller, “Leonardo’s Security: The Participant Witness in a Time of Invisibility,” in Visual Security Studies: Sights and Spectacles of Insecurity and War, edited by Juha A. Vuori and Rune Saugmann Andersen (London and New York: Routledge, 2018), pp. 133–149

Frank Möller, “Witnessing Violence through Photography,” Global Discourse: an Interdisciplinary Journal of Current Affairs and Contemporary Thought (Vol. 7, Issues 2–3, 2017, pp. 264–281), https://doi.org/10.1080/23269995.2017.1339979

Kia Lindroos and Frank Möller, eds., Art as a Political Witness (Opladen, Berlin, Toronto: Barbara Budrich Publishers, 2017), https://cup.columbia.edu/book/art-as-a-political-witness/ 9783847405801

Kia Lindroos and Frank Möller, “Witnessing in Contemporary Art and Politics,” in Art as a Political Witness, edited by Kia Lindroos and Frank Möller (Opladen, Berlin, Toronto: Barbara Budrich Publishers, 2017), pp. 33–55

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Frank Möller, “The Violence of Witnessing,” in Art as a Political Witness, edited by Kia Lindroos and Frank Möller (Opladen, Berlin, Toronto: Barbara Budrich Publishers, 2017), pp. 219–239

Frank Möller, “From Aftermath to Peace: Reflections on a Photography of Peace,” Global Society: Journal of Interdisciplinary International Relations (Vol. 31, No. 3, July 2017, pp. 315–335), https://doi.org/10.1080/13600826.2016.1220926

Ari-Elmeri Hyvönen and Frank Möller, “Visualizing Political Thinking on the Screen: A Dialogue between von Trotta’s Hannah Arendt and Its Protagonist,” Journal for Cultural Research (Vol. 21, No. 2, 2017, pp. 140–156), https://doi.org/10.1080/14797585.2016.1266437

Frank Möller, “Colonial Wars and Aesthetic Reworking: the Artist as Moral Witness,” Arts and International Affairs (Vol. 2, No. 1, Winter 2017), pp. 13–43, https://theartsjournal.net/2017/01/21/colonial-wars-and-aesthetic-reworking-the-artist-as-moral-witness/

Frank Möller and Samu Pehkonen, eds., Encountering the North: Cultural Geography, International Relations and Northern Landscapes (London: Routledge, 2017), Routledge REVIVALS (original 2003), https://www.routledge.com/Encountering-the-North-Cultural-Geography-International-Relations-and/Moller-Pehkonen/p/book/9781138722507

Frank Möller, “Politics and Art,” Oxford Handbooks Online Political Science (New York: Oxford University Press, June 2016), DOI: 10.1093/oxfordhb/9780199935307.013.13, https://www.oxfordhandbooks.com/view/10.1093/oxfordhb/9780199935307.001.0001/oxfordhb-9780199935307-e-13

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Frank Möller, “The Power of Obscurity: Trevor Paglen’s Geo-visual Imagination,” in Photographic Powers – Helsinki Photomedia 2014, edited by Mika Elo and Marko Karo (Marc Goodwin, associate editor) (Helsinki: Aalto University School of Arts, Design and Architecture, 2015), pp. 155–176

Frank Möller, Visual Peace: Images, Spectatorship, and the Politics of Violence (Houndmills: Palgrave Macmillan, 2013), Rethinking Peace and Conflict Studies series, https://www.palgrave.com/ gp/book/9781137020390

Rune S. Andersen and Frank Möller, “Engaging the Limits of Visibility: Photography, Security and Surveillance,” Security Dialogue (Vol. 44, No. 3, June 2013, pp. 203–221), https://doi.org/10.1177/ 0967010613484955

Frank Möller, “Photo-activism in the Digital Age: Visions from Rio de Janeiro,” in Doing Democracy: Activist Art and Cultural Politics, edited by Nancy S. Love and Mark Mattern (Albany: SUNY Press, 2013), pp. 29–51

Frank Möller and Rafiki Ubaldo, “Imaging Life after Death: Photography and the 1994 Genocide in Rwanda,” in Art and Trauma in Africa: Representations of Reconciliation in Music, Visuals Arts, Literature and Film, edited by Lizelle Bisschoff and Stefanie van de Peer (London and New York: I.B. Tauris, 2013), pp. 131–151

Frank Möller, “Associates in Crime and Guilt,” in Ethics and Images of Pain, edited by Asbjørn Grønstad and Henrik Gustafsson (New York: Routledge, 2012), pp. 15–32

Frank Möller, “Celebration and Concern: Digitization, Camera Phones and the Citizen-Photographer,” in Images in Mobile Communication: New Content, New Uses, New Perspectives, edited by Corinne Martin and Thilo von Pape (Wiesbaden: VS Verlag für Sozialwissenschaften, 2012), pp. 57–78

Frank Möller, “‘Wild Weirdness?’ ‘Gross Humbugs!’ Memory-images of the North and Finnish Photography,” in Journal of Northern Studies (Vol. 5, No. 2, 2011, pp. 29–49), http://umu.diva-portal.org/smash/ record.jsf?pid=diva2%3A506993&dswid=7892

Frank Möller, “Photography after Empire: Citizen-photographers or Snappers on Autopilot,” New Political Science (Vol. 32, No. 4, December 2010, pp. 501–513), https://doi.org/ 10.1080/ 07393148.2010.520437

Frank Möller, “Rwanda Revisualized: Genocide, Photography, and the Era of the Witness,” Alternatives (Vol. 35, No. 2, April–June 2010, pp. 113–136), https://doi.org/10.1177/030437541003500202

“Das televisuelle Sterben Neda Soltanis,” Wissenschaft & Frieden (Vol. 28, No. 1, February 2010, pp. 50–53), https://wissenschaft-und-frieden.de/seite.php?artikelID=1602

Frank Möller, “The Humble Doodle: Graphic Novels and the Question of Urgency,” in Scared to Death: Terror and Its Manifestations in the Spheres of Art and Popular Culture, edited by Dana Arieli-Horowitz and Dafna Sering (Jerusalem: The Hebrew University Magnes Press, 2010), pp. 129–149, in Hebrew

Frank Möller, “The Looking/Not Looking Dilemma,” Review of International Studies (Vol. 36, No. 4, October 2009, pp. 781–794), https://doi.org/10.1017/S0260210509990180

Frank Möller, “Public Frames: Security, Persuasion, and the Visual Construction of the International,” in Representing Culture: Essays on Identity, Visuality and Technology, edited by Claudia Alvares (Newcastle upon Tyne: Cambridge Scholars Publishing, 2008), pp. 99–118

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Frank Möller, “Friedenswissenschaft als Bildforschung,” Wissenschaft & Frieden (Vol. 26, No. 3, August 2008, pp. 34–37), https://www.wissenschaft-und-frieden.de/seite.php?artikelID=1487

Frank Möller, “Imaging and Remembering Peace and War,” Peace Review (Vol. 20, No. 1, January–March 2008, pp. 100–107), https://doi.org/10.1080/10402650701873791

Frank Möller, “The Implicated Spectator – From Manet to Botero,” in Terror and the Arts: Artistic, Literary, and Political Interpretations of Violence from Dostoyevsky to Abu Ghraib, edited by Matti Hyvärinen and Lisa Muszynski (New York: Palgrave Macmillan, 2008), pp. 25–40

Frank Möller, “Photographic Interventions in Post-9/11 Security Policy,” Security Dialogue (Vol. 38, No. 2, June 2007, special issue Securitization, Militarization and Visual Culture in the Worlds of post-9/11, edited by David Campbell and Michael J. Shapiro, pp. 179–196), https://doi.org/ 10.1177/0967010607078549

Frank Möller, “Rafting Nilas: Subjectivity, Memory and the Discursive Patterns of the North,” in Remaking Europe in the Margins: Northern Europe after the Enlargements, edited by Christopher S. Browning (Aldershot and Burlington, VT: Ashgate, 2005), pp. 31–47

Frank  Möller, “Shades of White: An Essay on a Political Iconography of the North,” in Encountering the North: Cultural Geography, International Relations and Northern Landscapes, edited by Frank Möller and Samu Pehkonen (Aldershot and Burlington, VT: Ashgate, 2003), pp. 57–74  

Frank Möller and Samu Pehkonen, eds., Encountering the North: Cultural Geography, International Relations and Northern Landscapes (Aldershot and Burlington, VT: Ashgate, 2003), Marginal Regions series